{"id":88,"date":"2023-09-01T20:44:44","date_gmt":"2023-09-01T20:44:44","guid":{"rendered":"https:\/\/clunaes.ondareirekia.com\/?page_id=88"},"modified":"2025-11-19T17:28:18","modified_gmt":"2025-11-19T17:28:18","slug":"ecos-de-estibaliz","status":"publish","type":"page","link":"https:\/\/clunaes.ondareirekia.com\/index.php\/ecos-de-estibaliz\/","title":{"rendered":"Ecos de Est\u00edbaliz"},"content":{"rendered":"

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Ecos de Est\u00edbaliz<\/h1>\n

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Los talleres que trabajaron en Est\u00edbaliz dejaron una impronta de largo recorrido en los templos de las inmediaciones. En esta exposici\u00f3n veremos cu\u00e1les fueron los caminos recorridos y los modelos m\u00e1s empleados. A falta de documentaci\u00f3n escrita, las im\u00e1genes nos permitir\u00e1n reconstruir una red de relaciones desatendida y olvidada, pero cuyas huellas a\u00fan pueden verse en los templos de muchas localidades del Pa\u00eds Vasco, Burgos, Navarra y La Rioja.<\/h3>\n

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Esta exposici\u00f3n virtual inicia su recorrido en el a\u00f1o 2023, pero ir\u00e1 sumando recursos, im\u00e1genes y contenidos de manera continuada hasta el a\u00f1o 2026.<\/h3>\n

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La construcci\u00f3n de Est\u00edbaliz<\/h4>\n

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En la primer mitad del siglo XII, Toda y su hija Mar\u00eda L\u00f3pez impulsaron la construcci\u00f3n de un gran monasterio en Est\u00edbaliz. Para ello reunieron a los mejores talleres del momento, procedentes en su mayor parte de Francia. Pero pronto el proyecto se frustr\u00f3 y los planes de estas importantes damas chocaron con la realidad pol\u00edtica del momento.<\/h2>\n

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Sin embargo, aunque Est\u00edbaliz nunca llegara a funcionar como un monasterio cluniacense, la impronta de los talleres que trabajaron en su portada y en los capiteles del interior se extendi\u00f3 de forma extraordinaria tanto en suelo vasco como en regiones lim\u00edtrofes.\u00a0<\/h2>\n

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Los ejes de una gran red clientelar<\/h4>\n

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Las mujeres de la familia Haro supieron tejer una compleja red clientelar que ha dejado una profunda impronta en la zona a trav\u00e9s de los templos. \u00c9stos eran para las familias nobles su se\u00f1a de identidad y a trav\u00e9s de las im\u00e1genes perpetuaban la memoria de sus antepasados.<\/h2>\n

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Del mismo modo que las grandes familias de la nobleza se inspiraban en las monarqu\u00edas de las que eran vasallas, la peque\u00f1a nobleza local copiaba tambi\u00e9n las obras de los templos que ten\u00edan en propiedad estos grupos de poder. <\/h2>\n

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De este modo, los modelos que podemos ver en capiteles, canecillos, arquivoltas y dem\u00e1s elementos en la iglesia de Est\u00edbaliz, se fueron replicando en otras iglesias m\u00e1s modestas con el prop\u00f3sito de fijar visualmente esta relaci\u00f3n clientelar. No sabemos exactamente la naturaleza de este v\u00ednculo, pero las im\u00e1genes no dejan lugar a dudas.<\/h2>\n

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La expansi\u00f3n de unos modelos de origen europeo<\/h4>\n

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Como luego veremos, en Est\u00edbaliz confluyeron dos talleres: uno de origen franc\u00e9s (borgo\u00f1\u00f3n m\u00e1s concretamente) y otro procedente del \u00e1rea normanda. Algunos motivos tuvieron tanto \u00e9xito que son decenas las iglesias que todav\u00eda hoy los exhiben con innumerables variantes.<\/h2>\n

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En una ventana desaparecida en los a\u00f1os setenta (pero cuyos restos a\u00fan pueden verse de camino al front\u00f3n), pod\u00edan a\u00fan verse las cadenetas que con tanta frecuencia se localizan en templos borgo\u00f1ones. En las im\u00e1genes siguientes comprobaremos la variedad tipol\u00f3gica que adquiri\u00f3 en manos de los talleres locales.<\/h2>\n

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Paray-le-Monial (Francia)<\/h2>\n

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Antiguo ventanal (Est\u00edbaliz)<\/h2>\n

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Est\u00edbaliz<\/h2>\n

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Beto\u00f1o\u00a0<\/h2>\n

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San Juan de Markinez<\/h2>\n

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Los dos talleres de Est\u00edbaliz<\/h4>\n

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Las mujeres de la familia Haro supieron tejer una compleja red clientelar que ha dejado una profunda impronta en la zona a trav\u00e9s de los templos. \u00c9stos eran para las familias nobles su se\u00f1a de identidad y a trav\u00e9s de las im\u00e1genes perpetuaban la memoria de sus antepasados.<\/h2>\n

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Taller borgo\u00f1\u00f3n<\/h2>\n

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Taller normando<\/h2>\n

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Ecos borgo\u00f1ones: Fuidio<\/h2>\n

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